A New Kind of Anthem
April 2, 2022
6:30pm
Fayetteville Public Library
The Symphony of Northwest Arkansas and the Fayetteville Public Library team up with the Open Mouth Reading Series to celebrate Poetry Month with Transcending Words on April 2nd at 6:30pm in the Event Center. SoNA Singers, a chorus of 60 beautiful voices, will sing 9 powerful poems, and three poets from Open Mouth Literary Center will premiere three newly commissioned poems inspired by the music and poetry of the event. Through this event we celebrate the transcendent ability of the written word, as well as the ability of music to transcend words by providing color, context, and emotion.
Transcending Words is the latest concert in the symphony's SoNA Beyond series, which showcases the vast spectrum of possibilities for classical music to reach audiences in new and innovative ways. SoNA Beyond presents a variety of concerts, programs, and other creative arts experiences that go beyond the symphony’s annual mainstage season of concerts. SoNA Beyond rethinks the boundaries of what a symphony can do to innovate the artform, include new voices, and immerse SoNA in the Northwest Arkansas community – and to give audiences an expansive view of what classical music is and who it serves.
Free Concert.
About SoNA Singers
SoNA Singers is an auditioned group of choral singers from throughout the region. Directed by Terry Hicks, one of Arkansas’ most respected choral conductors, this group is SoNA's official symphony chorus, conducted by Music Director Paul Haas.
About Open Mouth Poets
Noelia Cerna is a Costa Rican poet based in Northwest Arkansas. She immigrated to the United States at the age of 7 and received a Bachelor’s degree in English from Westminster College in Missouri. Her writing has been published in audio form in Terse Journal, The Revolution [Relaunch], The North Meridian Review, the Plants and Poetry Journal, the Abantu Radio blog and Voices de la Luna. Noelia is a reader and poetry feedback editor for Tinderbox Poetry Journal, an assistant poetry editor for Borderlands Texas Poetry Review, an associate editor for Sibling Rivalry Press, an editor for Nomadic Press, a poetry genre editor for Patchwork Lit Mag, a writing mentor for Pen America’s Prison Writing Mentorship Program and a recent recipient of the PEN America L’Engle-Rahman Prize for Mentorship and an English Literacy Instructor with the Ozark Literacy Council.
Gerry Sloan is a retired music professor who taught at the University of Arkansas for 43 years. In addition to music, he has had a lifelong passion for poetry, inspired by an amazing high English teacher named John Taylor. In 1990, he won the Words Award in Poetry presented by the Arkansas Literary Society in Little Rock. More recently he won first prize in poetry presented by the Gaza Freedom Flotilla Literary Contest. His collections include Paper Lanterns (2011) and Crossings: A Memoir in Verse, plus five chapbooks. Recent work has appeared in Nebo, Slant, Cantos, Xavier Review, Elder Mountain (featured poet), and Cave Region Review (featured poet).
Robin Bruce is a poet, singer-songwriter, and visual artist from Schertz, Texas. Her first writing forms were inspired by East Coast MC’s and expressed through local hip-hop crews in San Antonio. Currently, her writing is influenced by Eastern Wisdom Traditions such as Tibetan Buddhism and yoga studies; where she interrogates the intersection of eastern spirituality in America and racial construction through the lens of ultimate and relative truth. This is reflected in cross-genre texts weaving together poetry, non-fiction, fiction, essay, and image.
A New Kind of Anthem
(after Wilfred Owen’s “Anthem for Doomed Youth”)
Not all anthems are equal.
Some are meant for the brain
while others take aim at the heart,
and some are too elusive
to be rendered into art.
Hovering above the threshold
of hearing, they leave only
questions we dare not ask,
plus the image of a hand at dusk
drawing shutters on the snuffed
torch of another sunset, someone
listening in vain for footsteps
that would never return.
No mother ever bore a son
to go missing for this reason;
no father ever born was meant
to ignore the 6th Commandment.
A century later we have different
doorways to doom, strange clouds
that bloom in the shape of mushrooms
at the push of a button, war whose victims
will wear no uniform now that generals
and gunpowder are rendered obsolete,
with climate change waiting in the offing.
We lift our voices today because we can,
because we live in a culture that still
permits it, not to deny our fearful potential
but rather to reaffirm our humanity
through the gifts of music and poetry,
lifting our spirits to a higher plane
so that hope can be reborn,
so that Wilfred Owen
will not have died in vain.
Gerry was commissioned to write a poem in response to Wilfred Owen’s famous anti-war sonnet which was performed in a choral setting by the SoNA Singers at the concert above.
ANTHEM FOR DOOMED YOUTH by Wilfred Owen (1893-1918)
What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles’ rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of good-byes.
The pallor of girls’ brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.